The Kyoto Arc was far and away the high point of Rurouni Kenshin. The “New” Kyoto Arc, on the other hand, is its low point.

After the thunderous Evangelion 2.0, this is not the continuation I anticipated.

29 years after its release, some people might say that Hokuto no Ken needs no introduction, but its introduction is a big part of the reason it ever became popular in the first place.

“YOU ARE THE MIGHTY!” declares the triumphant ending theme song. Oh, I’ll tell you just how mighty Natsuki really is!

From the depths of anime hell, I summon thee — the ultimate fighter, Grappler Baki!

This is the first in a series, showing off the greatest introductions in the history of anime. And this one is actually the work of Westerners!

Spoiler alert: This is not a review, but a short synopsis for the third episode of this as-yet-unlicensed anime.

From the very first episode of 1978′s Space Pirate Captain Harlock, it’s obvious that this is Leiji Matsumoto’s original badass. Whether you know him as Harlock or Albator, this is the anime legend that never falters in reminding us what it means to be a man.

From a design standpoint, I’m impressed by how often the animation mimics the poses and angles used in the original manga without looking forced. It’s natural but familiar; this is how Basara was meant to be animated. It’s a pity that the series was cut so short, but we’ve been left with something very, very good.

The first three episodes erect some strong pillars for Skip Beat. There’s a villain to be defeated. There’s a rags-to-riches goal to pursue. And there’s a love interest — but it’s a love interest that must be impressed, as opposed to the “famous guy falls for the sweet girl” routine we’ve seen so many times before.